Centraal in het concert stond Alison Moyets recente album The Minutes (2013), dat, zoals de artieste zelf aankondigde, haar terugkeer naar de elektronica inluidt, en daarvoor kon ze een beroep doen op twee ijzersterke keyboardspelers (John Garden & Sean McGhee). De fans hadden geduld moeten oefenen, maar ze namen meteen wraak met een uitbundig welkomstapplaus. In de herfst van 2014 moest Alison Moyet haar optreden in de Arenbergschouwberg afzeggen wegens een sterfgeval in haar naaste omgeving, maar afgelopen zaterdag stond de Britse zangeres dan toch op het Antwerpse podium. In terms of musical entertainment, the approach was unfussy and contemporary and visually, this was simply a great show. The concert featured a lot of strong compositions from the new album The Minutes, while the old material was put in a new and fresh outfit. No, the 54 -year-old Alison Moyet didn't take the easy way by falling back on her all-time greatest hits. The audience jumped up from the comfortable chairs and transformed the room into a swirling disco, and even good-looking middle-aged ladies suddenly went crazy! A good performer knows how to take advantage of that situation, and that is what Alison Moyet did: after the beautiful All Cried Out and a stunning version of Whispering Your Name (Essex, 1994), she ended the encores with a heavenly All Cried Out and then a devastating version of Don't Go. And when the chorus sounded from the speakers, a shock wave ran through the Arenberg theatre. But the intro went wrong, and so the artist decided to resume the song. It must be said that the material of The Minutes is strong and that it is in no way inferior to the old Yazoo and Moyet material. Winter Kills, Remind Yourself and Changeling). She treated the audience on the first Yazoo hit Only You and did quite some songs of the new album (e.g. In between Alison Moyet took the time for a chat, including a visit to a movie theatre in Amsterdam, which resulted in the beautiful Filigree. The remake of Ordinary Girl (from Raindancing, 1987) and Is this Love? (from the same album), both got a new and more quiet arrangement and electro sounds instead of guitars. Nobody's Diary, from the second and last Yazoo album (1983), was the first reference to the successful start with Vince Clark. The contribution of her companions was limited to the music and - in the case of Sean McGhee - to perfectly sung vocals. Alison Moyet - perfect slim again - was dressed in a simple black outfit. No visuals were used and they were not needed, because the beautiful light show changed the scene of the Arenberg for two hours in a swirling disco. Solid beats and deafening electro were launched in the theatre. With Horizon Flame from the recent album, the concert got underway. Central to the concert was Alison Moyet’s recent album The Minutes (2013), which, as announced by the artist herself, heralds her return to electronics, for which she could count on two strong keyboardists (John Garden & Sean McGhee). The fans had waited a long time, but they retaliated with an exuberant welcome applause. Last Saturday she finally stood on the stage in Antwerp. In the fall of 2014, Alison Moyet had to cancel her performance in the Arenberg Theatre because of personal issues.
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